Luigi: The Story Behind the Story by John H Richardson – Sympathy for a Devil?
On December 5, 2024, a major newspaper published the front-page story “Insurance CEO Shot Dead In Manhattan”. The report went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then walked coolly away”. The murder in broad daylight was indeed both cold and shocking. But many Americans had a different response: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt like a release. Online platforms erupted. One comment stated: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the AI algorithm the insurance company designed to maximize profits on your health.”
Five days later, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania alumnus with a graduate degree in computing, was apprehended at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with prosecutors seeking the capital punishment. So who is Mangione? And what might have motivated the alleged crime? These are the questions John H Richardson seeks to resolve in an investigation that explores broader themes, too.
Understanding the Person
A journalist for Esquire magazine, Richardson spent years researching the groups that lurk in the dark corners of the internet, producing articles about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of 295 books on a reading platform”. Their content ranged from climate change to masculinity, along with a “emphasis on his own personal growth, both physical and mental”. Furthermore, Richardson analyzes his communications with influencers and authors as well as his many posts on digital networks. These original materials, intended to depict a picture of Mangione, instead render him an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in symbolic roles.
Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “refuse” and “remove”, engraved on the ammunition left behind at the crime scene. These are the phrases sometimes used by medical insurers to reject claims. He examines the indication Mangione suffered from a chronic back condition, which could have been a reason for an attack, but finds no proof; instead, what significance there is seems to lie in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, moving rapidly to the edge”; a world where the general belief seems to be that AI is going to eventually either take control, or eliminate humanity, or both.
Missing Pieces
Conspicuous by their absence from the book are conversations with the key individuals. Richardson made requests, but never expected access to Mangione himself. And his relatives stated explicitly that they had decided against speaking to the press in advance of the trial. Another flashing-yellow omission is any significant information about the deceased, Thompson, though we learn that under his guidance, from the early 2020s, company earnings rose significantly.
Ambiguous Findings
By the conclusion, the audience has no clear understanding of Mangione’s personality or what could have driven his alleged crimes. More troubling, Richardson’s obvious sympathy for him creates the uncomfortable impression of having been privy to a subtle approval of an assassination. In the book’s closing remarks, Richardson presents his mythical interpretation: “We’ve entered a era of stories, the insane ruler, the beast in the labyrinth and the naked leader.” In that tale “outlaw heroes come with a appealing vow … They arrive in times of social turmoil, when the people are suffering and everything is confusing anymore.”
One thing is clear: as Mangione’s defence team works to have accusations that could lead to the ultimate sentence dismissed, any reference of myths, folk heroes, champions or monsters will not be allowed in court in defence of this attractive individual with a “features reminiscent of classical art” facing judgment for murder.